![\"\"](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/uebersicht-Fotos-AS24.png\")
<\/p>\n<\/p>\n
<\/p>\n
2024 Photo Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n 2022<\/strong> 2020 2018 2016 Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n<\/strong>Press Selection<\/span>: (the numbers refer to the info map, for photo credits see abbreviations below)
\n<\/em>1. Hemauer\/Keller<\/strong>: M \u00fc. M.,<\/em> 2024: Tenner Chr\u00fcz 1<\/a> (HK), Tenner Chr\u00fcz 2 <\/a>(HK), Messger\u00e4t<\/a> (HK), Messpunkt<\/a> (DL), Schild<\/a> (JI)
\n2. Huhtamaki Wab<\/strong>: Nomadic Frequencies,<\/em> 2024: Journey 1 <\/a>(HW), Performance<\/a> (JI), Performance 2<\/a> (JL) Detail 1<\/a> (DL), Detail 2<\/a> (DL), Detail 3<\/a> (JI), Detail 4<\/a> (JI), Detail 5<\/a> (JI)
\n3. Paloma Ayala<\/strong>: Breastworks,<\/em> 2024: Oven 1 <\/a>(PA), Oven 2 <\/a>(PA), oven 3<\/a> (PA) Installation<\/a> (DL), installation 2<\/a> (JH), Spiiss\u00e4ckli<\/a> (JH)
\n4. Monica Ursina J\u00e4ger<\/strong>: Transient Traveller,<\/em> 2023: Still 1<\/a>, Still 2,<\/a> Still 3<\/a>, Instal 1,<\/a> Instal 2<\/a>, Instal 3\u00a0<\/a>(all MM)
\n5. Ernesto Neto<\/strong>: From Earth to Earth<\/em>, 2024, Sketch1 <\/a>(EN), Walk 1<\/a> (JH), Walk 2<\/a> (AT), Walk 3<\/a> (AT), Walk 4<\/a> (CW), Walk 5 (<\/a>MH), Walk 6<\/a> (JL), Walk 7<\/a> (JH), Walk 8<\/a> (AT), Burial 1<\/a> (JH), Burial 2<\/a> (JH), Burial 3<\/a> (JH), Burial 4<\/a> (JH), Burial 5<\/a> (AT),\u00a0 Plant 1<\/a> (AT), Plant 2<\/a> (AT), Instal 1<\/a> (JH), Instal 2<\/a> (JH), Instal 3<\/a> (JH)
\n6. QUARTO<\/strong>: Moving Landscapes,<\/em> 2021-24: Tenna 1 <\/a>(TR), Tenna 2<\/a> (TR), Tenna 3<\/a> (TR), Tenna 4<\/a> (TR), Tenna 5<\/a> (TR), Tenna 6<\/a> (TR), Tenna 7<\/a> (TR), Tenna 8<\/a> (DL), Susch <\/a>(Q), Cairo <\/a>(Q), Sweden<\/a> (Q)
\n7. Magali Dougoud<\/strong>: Zombie Mermaids \u2013 A Song for Futures Waters<\/em>, 2024: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Making of 1<\/a>, Making 2<\/a> (all LI)
\n8. Vibeke Mascin<\/strong>i: Tangere<\/em>, 2024: Still 1 <\/a>(VM), Still 2<\/a> (VM), Installation<\/a> (TR)
\n9. Ravi Agarwal & Paulina Lopez<\/strong>: Lopez: Yech\u2019n time, <\/em>2024: image 1<\/a> (RA), image 2<\/a> (RA), image 3<\/a> (PL), installation
\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),
\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)
\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)
\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)
\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)
\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)
\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\n
\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>
\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>
\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,
\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>
\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>
\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>
\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>
\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>
\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>
\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>
\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>
\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>
\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>
\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>
\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n
\n<\/strong>press selection:<\/span>
\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)
\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)
\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)
\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)
\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)
\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>
\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)
\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>
\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2
\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n
\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)
\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder
\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)
\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)
\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)
\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n
\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos
\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos
\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos
\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos
\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos
\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos
\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"
![Tenner Chr\u00fcz 1<\/a> (HK),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/1.-Hemauer-Keller-m.ue_.M_1-scaled.jpg\"){kind=link}
![Tenner Chr\u00fcz 2 <\/a>(HK),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/1.-Hemauer-Keller-m.ue_.M_2-scaled.jpg\"){kind=link}
![Messger\u00e4t<\/a> (HK),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_0435-scaled-1.jpg\"){kind=link}
![Messpunkt<\/a> (DL),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/dominik-landwehr-DSC_1873.jpg\"){kind=link}
![Schild<\/a> (JI)\n2. Huhtamaki Wab<\/strong>: Nomadic Frequencies,<\/em> 2024: Journey 1 <\/a>(HW), Performance<\/a> (JI), Performance 2<\/a> (JL) Detail 1<\/a> (DL), Detail 2<\/a> (DL), Detail 3<\/a> (JI), Detail 4<\/a> (JI), Detail 5<\/a> (JI)\n3. Paloma Ayala<\/strong>: Breastworks,<\/em> 2024: Oven 1 <\/a>(PA), Oven 2 <\/a>(PA), oven 3<\/a> (PA) Installation<\/a> (DL), installation 2<\/a> (JH), Spiiss\u00e4ckli<\/a> (JH)\n4. Monica Ursina J\u00e4ger<\/strong>: Transient Traveller,<\/em> 2023: Still 1<\/a>, Still 2,<\/a> Still 3<\/a>, Instal 1,<\/a> Instal 2<\/a>, Instal 3\u00a0<\/a>(all MM)\n5. Ernesto Neto<\/strong>: From Earth to Earth<\/em>, 2024, Sketch1 <\/a>(EN), Walk 1<\/a> (JH), Walk 2<\/a> (AT), Walk 3<\/a> (AT), Walk 4<\/a> (CW), Walk 5 (<\/a>MH), Walk 6<\/a> (JL), Walk 7<\/a> (JH), Walk 8<\/a> (AT), Burial 1<\/a> (JH), Burial 2<\/a> (JH), Burial 3<\/a> (JH), Burial 4<\/a> (JH), Burial 5<\/a> (AT),\u00a0 Plant 1<\/a> (AT), Plant 2<\/a> (AT), Instal 1<\/a> (JH), Instal 2<\/a> (JH), Instal 3<\/a> (JH)\n6. QUARTO<\/strong>: Moving Landscapes,<\/em> 2021-24: Tenna 1 <\/a>(TR), Tenna 2<\/a> (TR), Tenna 3<\/a> (TR), Tenna 4<\/a> (TR), Tenna 5<\/a> (TR), Tenna 6<\/a> (TR), Tenna 7<\/a> (TR), Tenna 8<\/a> (DL), Susch <\/a>(Q), Cairo <\/a>(Q), Sweden<\/a> (Q)\n7. Magali Dougoud<\/strong>: Zombie Mermaids \u2013 A Song for Futures Waters<\/em>, 2024: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Making of 1<\/a>, Making 2<\/a> (all LI)\n8. Vibeke Mascin<\/strong>i: Tangere<\/em>, 2024: Still 1 <\/a>(VM), Still 2<\/a> (VM), Installation<\/a> (TR)\n9. Ravi Agarwal & Paulina Lopez<\/strong>: Lopez: Yech\u2019n time, <\/em>2024: image 1<\/a> (RA), image 2<\/a> (RA), image 3<\/a> (PL), installation\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_7780-scaled.jpg\"){kind=link}
![Journey 1 <\/a>(HW),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/2.-Huhtamaki-Wab-scaled.jpg\"){kind=link}
![Performance<\/a> (JI),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_7783-scaled.jpg\"){kind=link}
![Performance 2<\/a> (JL)](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_8819-scaled.jpeg\"){kind=link}
![Detail 1<\/a> (DL),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/dominik-landwehr-DSC_1712.jpg\"){kind=link}
![Detail 2<\/a> (DL),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/dominik-landwehr-DSC_1726.jpg\"){kind=link}
![Detail 3<\/a> (JI),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_7772-scaled.jpg\"){kind=link}
![Detail 4<\/a> (JI),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_7775-scaled.jpg\"){kind=link}
![Detail 5<\/a> (JI)\n3. Paloma Ayala<\/strong>: Breastworks,<\/em> 2024: Oven 1 <\/a>(PA), Oven 2 <\/a>(PA), oven 3<\/a> (PA) Installation<\/a> (DL), installation 2<\/a> (JH), Spiiss\u00e4ckli<\/a> (JH)\n4. Monica Ursina J\u00e4ger<\/strong>: Transient Traveller,<\/em> 2023: Still 1<\/a>, Still 2,<\/a> Still 3<\/a>, Instal 1,<\/a> Instal 2<\/a>, Instal 3\u00a0<\/a>(all MM)\n5. Ernesto Neto<\/strong>: From Earth to Earth<\/em>, 2024, Sketch1 <\/a>(EN), Walk 1<\/a> (JH), Walk 2<\/a> (AT), Walk 3<\/a> (AT), Walk 4<\/a> (CW), Walk 5 (<\/a>MH), Walk 6<\/a> (JL), Walk 7<\/a> (JH), Walk 8<\/a> (AT), Burial 1<\/a> (JH), Burial 2<\/a> (JH), Burial 3<\/a> (JH), Burial 4<\/a> (JH), Burial 5<\/a> (AT),\u00a0 Plant 1<\/a> (AT), Plant 2<\/a> (AT), Instal 1<\/a> (JH), Instal 2<\/a> (JH), Instal 3<\/a> (JH)\n6. QUARTO<\/strong>: Moving Landscapes,<\/em> 2021-24: Tenna 1 <\/a>(TR), Tenna 2<\/a> (TR), Tenna 3<\/a> (TR), Tenna 4<\/a> (TR), Tenna 5<\/a> (TR), Tenna 6<\/a> (TR), Tenna 7<\/a> (TR), Tenna 8<\/a> (DL), Susch <\/a>(Q), Cairo <\/a>(Q), Sweden<\/a> (Q)\n7. Magali Dougoud<\/strong>: Zombie Mermaids \u2013 A Song for Futures Waters<\/em>, 2024: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Making of 1<\/a>, Making 2<\/a> (all LI)\n8. Vibeke Mascin<\/strong>i: Tangere<\/em>, 2024: Still 1 <\/a>(VM), Still 2<\/a> (VM), Installation<\/a> (TR)\n9. Ravi Agarwal & Paulina Lopez<\/strong>: Lopez: Yech\u2019n time, <\/em>2024: image 1<\/a> (RA), image 2<\/a> (RA), image 3<\/a> (PL), installation\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_7777-scaled.jpg\"){kind=link}
![Oven 1 <\/a>(PA),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/3.-Paloma-Ayala_1-scaled.jpg\"){kind=link}
![Oven 2 <\/a>(PA),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/3.-Paloma-Ayala_2-scaled.jpg\"){kind=link}
![oven 3<\/a> (PA)](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Ayala_firepit-scaled.jpg\"){kind=link}
![Installation<\/a> (DL),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/dominik-landwehr-DSC_1610.jpg\"){kind=link}
![installation 2<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_6163.heic\"){kind=link}
![Spiiss\u00e4ckli<\/a> (JH)\n4. Monica Ursina J\u00e4ger<\/strong>: Transient Traveller,<\/em> 2023: Still 1<\/a>, Still 2,<\/a> Still 3<\/a>, Instal 1,<\/a> Instal 2<\/a>, Instal 3\u00a0<\/a>(all MM)\n5. Ernesto Neto<\/strong>: From Earth to Earth<\/em>, 2024, Sketch1 <\/a>(EN), Walk 1<\/a> (JH), Walk 2<\/a> (AT), Walk 3<\/a> (AT), Walk 4<\/a> (CW), Walk 5 (<\/a>MH), Walk 6<\/a> (JL), Walk 7<\/a> (JH), Walk 8<\/a> (AT), Burial 1<\/a> (JH), Burial 2<\/a> (JH), Burial 3<\/a> (JH), Burial 4<\/a> (JH), Burial 5<\/a> (AT),\u00a0 Plant 1<\/a> (AT), Plant 2<\/a> (AT), Instal 1<\/a> (JH), Instal 2<\/a> (JH), Instal 3<\/a> (JH)\n6. QUARTO<\/strong>: Moving Landscapes,<\/em> 2021-24: Tenna 1 <\/a>(TR), Tenna 2<\/a> (TR), Tenna 3<\/a> (TR), Tenna 4<\/a> (TR), Tenna 5<\/a> (TR), Tenna 6<\/a> (TR), Tenna 7<\/a> (TR), Tenna 8<\/a> (DL), Susch <\/a>(Q), Cairo <\/a>(Q), Sweden<\/a> (Q)\n7. Magali Dougoud<\/strong>: Zombie Mermaids \u2013 A Song for Futures Waters<\/em>, 2024: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Making of 1<\/a>, Making 2<\/a> (all LI)\n8. Vibeke Mascin<\/strong>i: Tangere<\/em>, 2024: Still 1 <\/a>(VM), Still 2<\/a> (VM), Installation<\/a> (TR)\n9. Ravi Agarwal & Paulina Lopez<\/strong>: Lopez: Yech\u2019n time, <\/em>2024: image 1<\/a> (RA), image 2<\/a> (RA), image 3<\/a> (PL), installation\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Spiissaeckli-scaled.jpg\"){kind=link}
![Still 1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/4.-Monica-Ursina-Jaeger_1-scaled.jpg\"){kind=link}
![Still 2,<\/a>](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/4.-Monica-Ursina-Jaeger_2-scaled.jpg\"){kind=link}
![Still 3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Filmstill_TransientTraveller04-scaled.jpg\"){kind=link}
![Instal 1,<\/a>](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Stall_Transient-Traveller01_1-scaled.jpg\"){kind=link}
![Instal 2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Stall_Transient-Traveller03-scaled.jpg\"){kind=link}
![Instal 3\u00a0<\/a>(all MM)\n5. Ernesto Neto<\/strong>: From Earth to Earth<\/em>, 2024, Sketch1 <\/a>(EN), Walk 1<\/a> (JH), Walk 2<\/a> (AT), Walk 3<\/a> (AT), Walk 4<\/a> (CW), Walk 5 (<\/a>MH), Walk 6<\/a> (JL), Walk 7<\/a> (JH), Walk 8<\/a> (AT), Burial 1<\/a> (JH), Burial 2<\/a> (JH), Burial 3<\/a> (JH), Burial 4<\/a> (JH), Burial 5<\/a> (AT),\u00a0 Plant 1<\/a> (AT), Plant 2<\/a> (AT), Instal 1<\/a> (JH), Instal 2<\/a> (JH), Instal 3<\/a> (JH)\n6. QUARTO<\/strong>: Moving Landscapes,<\/em> 2021-24: Tenna 1 <\/a>(TR), Tenna 2<\/a> (TR), Tenna 3<\/a> (TR), Tenna 4<\/a> (TR), Tenna 5<\/a> (TR), Tenna 6<\/a> (TR), Tenna 7<\/a> (TR), Tenna 8<\/a> (DL), Susch <\/a>(Q), Cairo <\/a>(Q), Sweden<\/a> (Q)\n7. Magali Dougoud<\/strong>: Zombie Mermaids \u2013 A Song for Futures Waters<\/em>, 2024: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Making of 1<\/a>, Making 2<\/a> (all LI)\n8. Vibeke Mascin<\/strong>i: Tangere<\/em>, 2024: Still 1 <\/a>(VM), Still 2<\/a> (VM), Installation<\/a> (TR)\n9. Ravi Agarwal & Paulina Lopez<\/strong>: Lopez: Yech\u2019n time, <\/em>2024: image 1<\/a> (RA), image 2<\/a> (RA), image 3<\/a> (PL), installation\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Stall_Transient-Traveller07.jpg\"){kind=link}
![Sketch1 <\/a>(EN),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/5.-Ernesto-Neto-scaled.jpg\"){kind=link}
![Walk 1<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_6349-scaled.jpg\"){kind=link}
![Walk 2<\/a> (AT),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Ernesto-Neto_9793-scaled.jpg\"){kind=link}
![Walk 3<\/a> (AT),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Ernesto-Neto_9797-scaled.jpg\"){kind=link}
![Walk 4<\/a> (CW),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/7cfaab2a-9d27-4c5b-99fa-e095e162605b.jpg\"){kind=link}
![Walk 5 (<\/a>MH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/903f3e17-b3b2-4493-bdab-928da1b2b4cf.jpg\"){kind=link}
![Walk 6<\/a> (JL),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_9122-scaled.jpeg\"){kind=link}
![Walk 7<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Neto-6-scaled.jpg\"){kind=link}
![Walk 8<\/a> (AT),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_9819-scaled.jpg\"){kind=link}
![Burial 1<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_6447-scaled.jpg\"){kind=link}
![Burial 2<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/9-IMG_6461-scaled.jpg\"){kind=link}
![Burial 3<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_6470-scaled.jpeg\"){kind=link}
![Burial 4<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Neto1-scaled.jpg\"){kind=link}
![Burial 5<\/a> (AT),\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_9869-scaled.jpg\"){kind=link}
![Plant 1<\/a> (AT),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_9910-scaled.jpg\"){kind=link}
![Instal 1<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Neto-7-scaled.jpg\"){kind=link}
![Instal 2<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Neto-2-scaled.jpg\"){kind=link}
![Instal 3<\/a> (JH)\n6. QUARTO<\/strong>: Moving Landscapes,<\/em> 2021-24: Tenna 1 <\/a>(TR), Tenna 2<\/a> (TR), Tenna 3<\/a> (TR), Tenna 4<\/a> (TR), Tenna 5<\/a> (TR), Tenna 6<\/a> (TR), Tenna 7<\/a> (TR), Tenna 8<\/a> (DL), Susch <\/a>(Q), Cairo <\/a>(Q), Sweden<\/a> (Q)\n7. Magali Dougoud<\/strong>: Zombie Mermaids \u2013 A Song for Futures Waters<\/em>, 2024: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Making of 1<\/a>, Making 2<\/a> (all LI)\n8. Vibeke Mascin<\/strong>i: Tangere<\/em>, 2024: Still 1 <\/a>(VM), Still 2<\/a> (VM), Installation<\/a> (TR)\n9. Ravi Agarwal & Paulina Lopez<\/strong>: Lopez: Yech\u2019n time, <\/em>2024: image 1<\/a> (RA), image 2<\/a> (RA), image 3<\/a> (PL), installation\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Neto-5-scaled.jpg\"){kind=link}
![Tenna 1 <\/a>(TR),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/2024-QUARTO-Foto@Thomas-Rickenmann-00136-scaled.jpg\"){kind=link}
![Tenna 2<\/a> (TR),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/2024-QUARTO-Foto@Thomas-Rickenmann-0913-scaled.jpg\"){kind=link}
![Tenna 3<\/a> (TR),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/2024-QUARTO-Foto@Thomas-Rickenmann-0918-scaled.jpg\"){kind=link}
![Tenna 4<\/a> (TR),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/2024-QUARTO-Foto@Thomas-Rickenmann-0920-scaled.jpg\"){kind=link}
![Tenna 5<\/a> (TR),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/2024-QUARTO-Foto@Thomas-Rickenmann-0942-scaled.jpg\"){kind=link}
![Tenna 6<\/a> (TR),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/2024-QUARTO-Foto@Thomas-Rickenmann-0951-scaled.jpg\"){kind=link}
![Tenna 7<\/a> (TR),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/2024-QUARTO-Foto@Thomas-Rickenmann-0959-scaled.jpg\"){kind=link}
![Tenna 8<\/a> (DL),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/moving-landscapes-2-dominik-landwehr.jpg\"){kind=link}
![Susch <\/a>(Q),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/6.-Quarto-scaled.jpg\"){kind=link}
![Cairo <\/a>(Q),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/Moving_Landscapes_Mary-Ibrahim_Cairo-1.png\"){kind=link}
![Sweden<\/a> (Q)\n7. Magali Dougoud<\/strong>: Zombie Mermaids \u2013 A Song for Futures Waters<\/em>, 2024: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Making of 1<\/a>, Making 2<\/a> (all LI)\n8. Vibeke Mascin<\/strong>i: Tangere<\/em>, 2024: Still 1 <\/a>(VM), Still 2<\/a> (VM), Installation<\/a> (TR)\n9. Ravi Agarwal & Paulina Lopez<\/strong>: Lopez: Yech\u2019n time, <\/em>2024: image 1<\/a> (RA), image 2<\/a> (RA), image 3<\/a> (PL), installation\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/QUARTO_Moving-Landscapes_Septemberfilm-Sweden-2.png\"){kind=link}
![Inst 1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/7.-Magali-Dougoud_1-scaled.jpg\"){kind=link}
![Inst 2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/7.-Magali-Dougoud_2-scaled.jpg\"){kind=link}
![Inst 3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/IMG_0324-scaled.jpg\"){kind=link}
![Making of 1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/P1180659-scaled.jpg\"){kind=link}
![Making 2<\/a> (all LI)\n8. Vibeke Mascin<\/strong>i: Tangere<\/em>, 2024: Still 1 <\/a>(VM), Still 2<\/a> (VM), Installation<\/a> (TR)\n9. Ravi Agarwal & Paulina Lopez<\/strong>: Lopez: Yech\u2019n time, <\/em>2024: image 1<\/a> (RA), image 2<\/a> (RA), image 3<\/a> (PL), installation\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/P1180667-scaled.jpg\"){kind=link}
![Still 1 <\/a>(VM),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/8.-Vibeke-MasciniJPG-scaled.jpg\"){kind=link}
![Still 2<\/a> (VM),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Tangere_Vibeke-Mascini_02-scaled.jpg\"){kind=link}
![Installation<\/a> (TR)\n9. Ravi Agarwal & Paulina Lopez<\/strong>: Lopez: Yech\u2019n time, <\/em>2024: image 1<\/a> (RA), image 2<\/a> (RA), image 3<\/a> (PL), installation\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Vibeke-Tunnel-comp-2.png\"){kind=link}
![image 1<\/a> (RA),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/9.-Agarwal-Lopez-scaled.jpg\"){kind=link}
![image 2<\/a> (RA),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/DSC01571-scaled.jpg\"){kind=link}
![image 3<\/a> (PL), installation\n10. Stefanie Salzmann<\/strong>: Traumsammlerinnen<\/em>, 2024: Red 1<\/a> (SS), Red 2<\/a> (JI), Red 3<\/a> (LI), Red 4<\/a> (LI), Yellow<\/a> (JI), Yellow 2<\/a> (LI) Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/rhone_ast_2001236_lrg-scaled.jpg\"){kind=link}
![Red 1<\/a> (SS),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/10.-Stefanie-Salzmann-1-scaled.jpg\"){kind=link}
![Red 2<\/a> (JI),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_7842-scaled.jpg\"){kind=link}
![Red 3<\/a> (LI),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_0247-scaled.jpeg\"){kind=link}
![Red 4<\/a> (LI),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_0251-scaled.jpeg\"){kind=link}
![Yellow<\/a> (JI),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_7840k-scaled.jpg\"){kind=link}
![Yellow 2<\/a> (LI)](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_0231-scaled.jpeg\"){kind=link}
![Blue<\/a> (JI),\n11. Andrea Todisco<\/strong>: Bauger\u00fcste, 2024, Quer 1 <\/a>(AT), Quer 2 <\/a>(AT), Hochformat 1<\/a> (AT), Hochformat 2<\/a> (LI), Hochformat 3<\/a> (JH), Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_7841k-scaled.jpg\"){kind=link}
![Quer 1 <\/a>(AT),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/11.-Andrea-Todisco_1-scaled.jpg\"){kind=link}
![Quer 2 <\/a>(AT),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/11.-Andrea-Todisco_2-scaled.jpg\"){kind=link}
![Hochformat 1<\/a> (AT),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Bauprofile4-scaled.jpg\"){kind=link}
![Hochformat 2<\/a> (LI),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_0289-scaled.jpeg\"){kind=link}
![Hochformat 3<\/a> (JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/IMG_6572-scaled.jpg\"){kind=link}
![Detail 1<\/a> (AT)\n12. Ola Maciejewska<\/strong>: The Second Body,<\/em> 2023-24: Performance 1 <\/a>(JH), Performance 2<\/a> (TR), Studio 1 <\/a>(OM), Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Bauprofile2-scaled.jpg\"){kind=link}
![Performance 1 <\/a>(JH),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Ola-Maciejewska-Performance-scaled.jpg\"){kind=link}
![Performance 2<\/a> (TR),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/20240720-Eis-Performance-Foto@Thomas-Rickenmann-09507-scaled.jpg\"){kind=link}
![Studio 1 <\/a>(OM),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/12.-Ola-Maciejewska-1.jpg\"){kind=link}
![Studio 2<\/a> (OM)\n13. Renae Shadler<\/strong>: Under my Gaze,<\/em> 2022-24: Performance 1 <\/a>(RS), Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/12.-Ola-Maciejewska-2-scaled.jpg\"){kind=link}
![Performance 1 <\/a>(RS),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/13.-Renae-Shadler_1-scaled.jpg\"){kind=link}
![Performance 2 <\/a>(RS)\n14. Sujit Kumar Mallik<\/strong>: The hole,<\/em> 2024: LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/13.-Renae-Shadler_2-scaled.jpg\"){kind=link}
![LOHACA <\/a>(SM)\n15. Farah Mulla<\/strong>: Synthetic Harvest,<\/em> 2024: Installation 1<\/a>, Installation 2,<\/a> Installation 3<\/a>, Installation 4<\/a>, Teller<\/a>, Detail 1<\/a>, Detail 2<\/a>, Detail 3<\/a>, Test 1<\/a>, Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/14.-Sujit-Mallik-scaled.jpg\"){kind=link}
![Installation 1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Photo-07-07-24-5-21-56-PM-scaled.jpg\"){kind=link}
![Installation 2,<\/a>](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Photo-07-07-24-5-09-22-PM-scaled.jpg\"){kind=link}
![Installation 3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Photo-07-07-24-11-21-38-PM-scaled.jpg\"){kind=link}
![Installation 4<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Photo-07-07-24-11-22-55-PM-scaled.jpg\"){kind=link}
![Teller<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Photo-30-06-24-12-44-54-PM-scaled.jpg\"){kind=link}
![Detail 1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Photo-05-07-24-4-57-40-PM-scaled.jpg\"){kind=link}
![Detail 2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Photo-05-07-24-5-07-59-PM-scaled.jpg\"){kind=link}
![Detail 3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/07\/Photo-05-07-24-5-08-37-PM-scaled.jpg\"){kind=link}
![Test 1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/15.-Farah-Mulla_1-scaled.jpg\"){kind=link}
![Test 2 <\/a>(all FM)\n16. Marcus Maeder<\/strong>: ACLA<\/em>, 2022-24: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2024\/06\/15.-Farah-Mulla_2-scaled.jpg\"){kind=link}
![Inst1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACLA_installation1-scaled.jpg\"){kind=link}
![Inst2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACLA_installation2-scaled.jpg\"){kind=link}
![Inst3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACLA_installation3-scaled.jpg\"){kind=link}
![Inst4<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACLA_installation4-scaled.jpg\"){kind=link}
![Sation1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/03\/Acla1-scaled.jpg\"){kind=link}
![Web <\/a>(all MM)<\/p>\nPhoto Credits<\/span>: <\/em>AT= Andrea Todisco \/ CT= Claudia Wellington \/ DL= Dominik Landwehr \/ EN= Ernesto Neto \/ FM= Farah Mulla \/ HK= Hemauer\/Keller \/ HW= Huhtamaki Wab \/ JH= Johannes Hedinger \/ JI= Josiane Imhasly \/ JL= Joanna Lesnierowska \/ LI= Luc Isenschmid \/ MD= Magali Dougoud \/ MH= Martina Huber \/ MM= Marcus Maeder \/ MUJ= Monica Ursina J\u00e4ger \/ OM= Ola Maciejewska \/ PA= Paloma Ayala \/ PL= Paulina Lopez \/ Q= Quarto \/ RA= Ravi Agarwal \/ RS= Renae Shadler \/ SM=Sujit Mallik \/ SS= Stefanie Salzmann \/ TR= Thomas Rickenmann \/ UK= Urs Karli \/ VM= Vibeke Mascini<\/p>\n2022<\/strong>\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACAL_Website.png\"){kind=link}
![Rheinschlucht<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/1B.-Ben-Vautier_Terrain-Vagues_Art-Safiental22-1.jpg\"){kind=link}
![Wanna<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/1A.-Ben-Vautier_Terrain-Vagues_Art-Safiental22-1-scaled.jpeg\"){kind=link}
![Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Photo-30.06.22-17-36-43-scaled.jpg\"){kind=link}
![Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/2.-ComCom-Bergkanzel-Art-Safienal22-1-scaled.jpg\"){kind=link}
![Sun1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Mediengruppe_Bitnik_NEIN1-scaled.jpg\"){kind=link}
![Sun2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Mediengruppe_Bitnik_NEIN2-scaled.jpg\"){kind=link}
![Rain1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/Bitnik-NEIN-rainbow-scaled.jpg\"){kind=link}
![Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/IMG_1476-scaled.jpeg\"){kind=link}
![Inst 1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Buchli-Isenschmid_Solarkaskade_Installation1-scaled.jpg\"){kind=link}
![Inst 2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Buchli-Isenschmid_Solarkaskade_Installation2-scaled.jpg\"){kind=link}
![Inst 3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Buchli-Isenschmid_Solarkaskade_Installation3-scaled.jpg\"){kind=link}
![Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Buchli-Isenschmid_Solarkaskade_Installation4-scaled.jpg\"){kind=link}
![Wildcam1 <\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/03\/PTDC0342-scaled.jpg\"){kind=link}
![drawing1, <\/a>](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/04\/img068-2-scaled.jpg\"){kind=link}
![Installation<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/6A-Lithic-Alliance_Piece-for-breif-encounters_Art-Safiental-1-scaled.jpg\"){kind=link}
![Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/6B-Lithic-Alliance_Piece-for-breif-encounters_Art-Safiental-1-scaled.jpg\"){kind=link}
![Installation1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Ursula-Biemann_Forst-Law_Installation1-scaled.jpeg\"){kind=link}
![Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/Ursula-Biemann_Forest-Law_Art-Safiental-scaled.jpeg\"){kind=link}
![Juli<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/image00008-scaled.jpeg\"){kind=link}
![Juni<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/IMG_4681-scaled.jpg\"){kind=link}
![Mai<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/SteinerLenzlinger_AckergoldAufbau_Art-Safiental-2022-scaled.jpg\"){kind=link}
![April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/05\/Steiner-Lenzlinger_Ackergold-1.jpg\"){kind=link}
![Inst1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Augentrost_Installation1-scaled.jpg\"){kind=link}
![Inst2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Augentrost_Installation2-scaled.jpg\"){kind=link}
![Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Augentrost_Installation3-scaled.jpg\"){kind=link}
![inst1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Waldbett_Installation1-scaled.jpg\"){kind=link}
![inst2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Waldbett_Installation2-scaled.jpg\"){kind=link}
![Inst3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Waldbett_Installation3-scaled.jpg\"){kind=link}
![Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022:](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Waldbett_Installation4-scaled.jpg\"){kind=link}
![Gras Museum<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/12\/Pressefoto-Grasgeschichten-scaled.jpg\"){kind=link}
![Performance,<\/a>](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/12\/Pressefoto-Grasgeschichten-2-scaled.jpg\"){kind=link}
![Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Art-Safiental22_Prasad_Gras-Museum-scaled.jpg\"){kind=link}
![Inst1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Badel-Sarbach_LOST-WATER_installation1-scaled.jpg\"){kind=link}
![Inst2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Badel-Sarbach_LOST-WATER_installation2-scaled.jpg\"){kind=link}
![Inst3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Badel-Sarbach_LOST-WATER_installation3-scaled.jpg\"){kind=link}
![Still1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/1BadelSarbach-scaled.jpg\"){kind=link}
![Still2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/4BadelSarbach-scaled.jpg\"){kind=link}
![Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/8BadelSarbach-scaled.jpg\"){kind=link}
![Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Lara-Almarcequi_Kieswerk_Still.jpeg\"){kind=link}
![Performance<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/12A_Saskia-Edens_Wood-World-Web_Art-Safiental22-2-scaled.jpg\"){kind=link}
![Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/12B_Saskia-Edens_Wood-World-Web_Art-Safiental22-2-scaled.jpg\"){kind=link}
![lang und d\u00fcnn<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/SimonOdermatt_Via-capricon_1-scaled.jpeg\"){kind=link}
![Kaktus, <\/a>](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/SimonOdermatt_Via-capricon_2-scaled.jpeg\"){kind=link}
![im See<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/DSC7713-1@0.5x-scaled.jpeg\"){kind=link}
![Koloss<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/DSC7981-2-1@0.5x-scaled.jpeg\"){kind=link}
![Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/DSC7864-1@0.5x-scaled.jpeg\"){kind=link}
![Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/Julius-von-Bismarck_Ba\u0308ume-ohne-Grenzen_Art-Safiental-2022-scaled.jpg\"){kind=link}
![Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/07\/fro\u0308licher-I-bietenhader-\u201cctrl-s-preka\u0308re-Stellen\u201d-Art-Safiental-2020-14MB.jpg\"){kind=link}
![Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Fro\u0308licher-Bietenhader_Foto-Sara-Rutz-3.jpg\"){kind=link}
![Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Nancy-Baker-Cahill_Foto-Paulina-Domanska.jpg\"){kind=link}
![Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/4-Velardi-Variante-Kopie.jpg\"){kind=link}
![Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Marie-Velardi-Tomu\u0308lpass.jpg\"){kind=link}
![Sommer<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/07\/Framentin_N1-Observatory_experience.jpg\"){kind=link}
![Winter1<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/N1-Obersavory-winter_Foto-Fragemtin.jpg\"){kind=link}
![Winter2<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/N1-Obersavory-winter_Foto-Fragemtin2.jpg\"){kind=link}
![Installation<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/07\/Framentin_N1-Observatory_installation-.jpg\"){kind=link}
![Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Art-Safiental-18.7.-1.11.2020_Fragmentin_N1-Observatory.jpg\"){kind=link}
![Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/12_comcom-Kopie.jpg\"){kind=link}
![Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Comcom_Bergkanzel_Foto-Hedinger_screen.png\"){kind=link}
![Press 1<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/CT_-LaMortVainPerTuots-1.jpg\"){kind=link}
![installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/15_Mousset-Kopie.jpg\"){kind=link}
![Still 1<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Melodie-Bild-weiss.jpg\"){kind=link}
![Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Melodie-Bild-schwarz-b.jpg\"){kind=link}
![\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/3332-color-korrigiert.png\"){kind=link}
![\u00a0STILL 1<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/200628_rossner_safiental_rhinevalley_01.jpg\"){kind=link}
![STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/200628_rossner_safiental_damm_01.jpg\"){kind=link}
![Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/4.png\"){kind=link}
![Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2024 Press Selection: (the numbers refer to the info map, for photo credits see abbreviations below) 1. Hemauer\/Keller: M \u00fc. M., 2024: Tenner Chr\u00fcz 1 (HK), Tenner Chr\u00fcz 2 (HK), Messger\u00e4t (HK), Messpunkt (DL), Schild (JI) 2. Huhtamaki Wab: Nomadic Frequencies, 2024: Journey 1 (HW), Performance (JI), Performance 2 (JL) Detail 1 (DL), Detail […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5942,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-5964","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=5964"}],"version-history":[{"count":65,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions"}],"predecessor-version":[{"id":6958,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5964\/revisions\/6958"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/5942"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=5964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Schlitten_D.Simon_R.Odermatt_Foto-Mirja-Busch.jpg\"){kind=link}