![\"\"](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/10\/Bildschirmfoto-2022-10-14-um-22.31.37.png\")
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2022<\/strong> 2020 2018 2016 Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPress Selection: <\/span>(the numbers refer to the info map,<\/a> Credit: Mathias Kunfermann, et al.)<\/em>
\n1. Ben Vautier: Terrain Vague<\/em>, 1961\/2022: Rheinschlucht<\/a>, Wanna<\/a>,\u00a0Aufbau<\/a>
\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,
\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>
\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>
\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>
\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>
\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>
\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>
\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>
\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>
\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>
\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>
\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>
\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n
\n<\/strong>press selection:<\/span>
\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)
\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)
\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)
\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)
\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)
\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>
\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)
\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>
\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2
\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n
\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)
\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder
\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)
\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)
\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)
\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n
\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos
\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos
\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos
\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos
\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos
\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos
\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"
![Rheinschlucht<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/1B.-Ben-Vautier_Terrain-Vagues_Art-Safiental22-1.jpg\"){kind=link}
![Wanna<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/1A.-Ben-Vautier_Terrain-Vagues_Art-Safiental22-1-scaled.jpeg\"){kind=link}
![Aufbau<\/a>\n2. Com&Com: Bergkanzel<\/em>, 2016-2022: Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Photo-30.06.22-17-36-43-scaled.jpg\"){kind=link}
![Seitenansicht<\/a>,\n3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail,<\/em> 2022: Sun1<\/a>, Sun2<\/a>, Rain1<\/a>, Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/2.-ComCom-Bergkanzel-Art-Safienal22-1-scaled.jpg\"){kind=link}
![Sun1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Mediengruppe_Bitnik_NEIN1-scaled.jpg\"){kind=link}
![Sun2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Mediengruppe_Bitnik_NEIN2-scaled.jpg\"){kind=link}
![Rain1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/Bitnik-NEIN-rainbow-scaled.jpg\"){kind=link}
![Rain2<\/a>\n4. Buchli\/Isenschmid: Solarkaskade<\/em>, 2022: Inst 1<\/a>, Inst 2<\/a>, Inst 3<\/a>, Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/IMG_1476-scaled.jpeg\"){kind=link}
![Inst 1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Buchli-Isenschmid_Solarkaskade_Installation1-scaled.jpg\"){kind=link}
![Inst 2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Buchli-Isenschmid_Solarkaskade_Installation2-scaled.jpg\"){kind=link}
![Inst 3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Buchli-Isenschmid_Solarkaskade_Installation3-scaled.jpg\"){kind=link}
![Inst 4<\/a>\n5. Marcus Maeder: ACLA<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Inst4<\/a>,\u00a0Sation1<\/a>, Wildcam1 <\/a>, drawing1, <\/a>Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Buchli-Isenschmid_Solarkaskade_Installation4-scaled.jpg\"){kind=link}
![Inst1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACLA_installation1-scaled.jpg\"){kind=link}
![Inst2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACLA_installation2-scaled.jpg\"){kind=link}
![Inst3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACLA_installation3-scaled.jpg\"){kind=link}
![Inst4<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACLA_installation4-scaled.jpg\"){kind=link}
![Sation1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/03\/Acla1-scaled.jpg\"){kind=link}
![Wildcam1 <\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/03\/PTDC0342-scaled.jpg\"){kind=link}
![drawing1, <\/a>](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/04\/img068-2-scaled.jpg\"){kind=link}
![Web<\/a>\n6. Lithic Alliance: Piece for brief Encounters,<\/em> 2022: Installation<\/a>, Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Marcus-Maeder_ACAL_Website.png\"){kind=link}
![Installation<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/6A-Lithic-Alliance_Piece-for-breif-encounters_Art-Safiental-1-scaled.jpg\"){kind=link}
![Detail<\/a>\n7. Ursula Biemann: Forest Law, <\/em>2022\/2014:\u00a0 Installation1<\/a>, Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/6B-Lithic-Alliance_Piece-for-breif-encounters_Art-Safiental-1-scaled.jpg\"){kind=link}
![Installation1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Ursula-Biemann_Forst-Law_Installation1-scaled.jpeg\"){kind=link}
![Still 1<\/a>\n8. Gerda Steiner\/J\u00f6rg Lenzlinger: Ackergold, <\/em>2022: Juli<\/a>, Juni<\/a>, Mai<\/a>, April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/Ursula-Biemann_Forest-Law_Art-Safiental-scaled.jpeg\"){kind=link}
![Juli<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/image00008-scaled.jpeg\"){kind=link}
![Juni<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/IMG_4681-scaled.jpg\"){kind=link}
![Mai<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/SteinerLenzlinger_AckergoldAufbau_Art-Safiental-2022-scaled.jpg\"){kind=link}
![April<\/a> \/ Augentrost<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/05\/Steiner-Lenzlinger_Ackergold-1.jpg\"){kind=link}
![Inst1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Augentrost_Installation1-scaled.jpg\"){kind=link}
![Inst2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Augentrost_Installation2-scaled.jpg\"){kind=link}
![Inst3<\/a> \/ Waldbett<\/em>, 2022: inst1<\/a>, inst2<\/a>, Inst3<\/a>, Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022: Gras Museum<\/a>, Performance,<\/a> Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Augentrost_Installation3-scaled.jpg\"){kind=link}
![inst1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Waldbett_Installation1-scaled.jpg\"){kind=link}
![inst2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Waldbett_Installation2-scaled.jpg\"){kind=link}
![Inst3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Waldbett_Installation3-scaled.jpg\"){kind=link}
![Inst4<\/a>\n9. Dharmendra Prasad: Gras Museum, 2022:](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Steiner-Lenzlinger_Waldbett_Installation4-scaled.jpg\"){kind=link}
![Gras Museum<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/12\/Pressefoto-Grasgeschichten-scaled.jpg\"){kind=link}
![Performance,<\/a>](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/12\/Pressefoto-Grasgeschichten-2-scaled.jpg\"){kind=link}
![Produktion1<\/a>\n10. Badel\/Sarbach: Lost Water and Found Stairs<\/em>, 2022: Inst1<\/a>, Inst2<\/a>, Inst3<\/a>, Still1<\/a>, Still2<\/a>, Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Art-Safiental22_Prasad_Gras-Museum-scaled.jpg\"){kind=link}
![Inst1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Badel-Sarbach_LOST-WATER_installation1-scaled.jpg\"){kind=link}
![Inst2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Badel-Sarbach_LOST-WATER_installation2-scaled.jpg\"){kind=link}
![Inst3<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Badel-Sarbach_LOST-WATER_installation3-scaled.jpg\"){kind=link}
![Still1<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/1BadelSarbach-scaled.jpg\"){kind=link}
![Still2<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/4BadelSarbach-scaled.jpg\"){kind=link}
![Still3<\/a>\n11. Lara Almarcegui: Kieswerk<\/em>, 2022: Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/8BadelSarbach-scaled.jpg\"){kind=link}
![Still<\/a>\n12: Saskia Edens: Wood World Web,<\/em> 2022: Performance<\/a>, Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/07\/Lara-Almarcequi_Kieswerk_Still.jpeg\"){kind=link}
![Performance<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/12A_Saskia-Edens_Wood-World-Web_Art-Safiental22-2-scaled.jpg\"){kind=link}
![Installation<\/a>\n13. Simon\/Odermatt: Via Capricorn,<\/em> 2002: lang und d\u00fcnn<\/a>, Kaktus, <\/a>im See<\/a>, Koloss<\/a>, Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/08\/12B_Saskia-Edens_Wood-World-Web_Art-Safiental22-2-scaled.jpg\"){kind=link}
![lang und d\u00fcnn<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/SimonOdermatt_Via-capricon_1-scaled.jpeg\"){kind=link}
![Kaktus, <\/a>](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/SimonOdermatt_Via-capricon_2-scaled.jpeg\"){kind=link}
![im See<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/DSC7713-1@0.5x-scaled.jpeg\"){kind=link}
![Koloss<\/a>,](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/DSC7981-2-1@0.5x-scaled.jpeg\"){kind=link}
![Pfalhof<\/a>\n14. Julius von Bismarck: B\u00e4ume ohne Grenzen<\/em>, 2022: Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/DSC7864-1@0.5x-scaled.jpeg\"){kind=link}
![Foto Bismarck<\/a><\/p>\n2020\n<\/strong>press selection:<\/span>\nfr\u00f6licher I bietenhader: \u201cctrl + s (prek\u00e4re Stellen)\u201d,\u00a0Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0Sommer<\/a>,\u00a0Winter1<\/a>,\u00a0Winter2<\/a>,\u00a0Installation<\/a>,\u00a0Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2022\/06\/Julius-von-Bismarck_Ba\u0308ume-ohne-Grenzen_Art-Safiental-2022-scaled.jpg\"){kind=link}
![Sommer<\/a>\u00a0(Foto: M.\u00a0Bietenhader)\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/07\/fro\u0308licher-I-bietenhader-\u201cctrl-s-preka\u0308re-Stellen\u201d-Art-Safiental-2020-14MB.jpg\"){kind=link}
![Winter<\/a>\u00a0(Foto: S. Rutz)\nNancy Baker Cahill: “Method Nr. 13” (Augmented Reality),\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Fro\u0308licher-Bietenhader_Foto-Sara-Rutz-3.jpg\"){kind=link}
![Foto<\/a>\u00a0(Foto: Paulina Domanska)\nMarie Velardi: “Mittelpunkt der Erde und Grenze der Atmosph\u00e4re” –\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Nancy-Baker-Cahill_Foto-Paulina-Domanska.jpg\"){kind=link}
![Sommer<\/a>\u00a0(Foto: JM. Hedinger),\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/4-Velardi-Variante-Kopie.jpg\"){kind=link}
![Winter<\/a>\u00a0(Foto: Marie Velardi)\nFragmentin: “N1-Observatory” (Virtual Reality),\u00a0\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Marie-Velardi-Tomu\u0308lpass.jpg\"){kind=link}
![Sommer<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/07\/Framentin_N1-Observatory_experience.jpg\"){kind=link}
![Winter1<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/N1-Obersavory-winter_Foto-Fragemtin.jpg\"){kind=link}
![Winter2<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/N1-Obersavory-winter_Foto-Fragemtin2.jpg\"){kind=link}
![Installation<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/07\/Framentin_N1-Observatory_installation-.jpg\"){kind=link}
![Detail<\/a>\u00a0(Fotos: Fragmentin)\n<\/strong>Com&Com: “Bergkanzel” –\u00a0Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Art-Safiental-18.7.-1.11.2020_Fragmentin_N1-Observatory.jpg\"){kind=link}
![Sommer<\/a>\u00a0(Foto: M. Kunfermann),\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/12_comcom-Kopie.jpg\"){kind=link}
![Herbst<\/a>\u00a0(Foto: JM Hedinger)\n<\/strong>Curdin Tones: “La Mort Vain Per Tuots” (Augmented Reality)\u00a0Press 1<\/a>,\u00a0Press 2<\/a>\nMelodie Mousset: “Journey through a mountain” –\u00a0installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0Still 1<\/a>,\u00a0Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),\u00a0STILL 1<\/a>,\u00a0STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Comcom_Bergkanzel_Foto-Hedinger_screen.png\"){kind=link}
![Press 1<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/CT_-LaMortVainPerTuots-1.jpg\"){kind=link}
![installation<\/a>\u00a0(Foto: JM Hedinger),\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/15_Mousset-Kopie.jpg\"){kind=link}
![Still 1<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Melodie-Bild-weiss.jpg\"){kind=link}
![Still 2<\/a>, (Foto:\u00a0S.\u00a0Schenk)](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Melodie-Bild-schwarz-b.jpg\"){kind=link}
![\n<\/a>Manuel Rossner: “Floating Backwards” (Virtual Reality),](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/3332-color-korrigiert.png\"){kind=link}
![\u00a0STILL 1<\/a>,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/200628_rossner_safiental_rhinevalley_01.jpg\"){kind=link}
![STILL 2<\/a>\nSara Rutz “…” 3D digital Game,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/200628_rossner_safiental_damm_01.jpg\"){kind=link}
![Still<\/a>, animation 1, animation 2\nDavid Simon & Ren\u00e9 Odermatt: “Schlitten”, Alps Art Academy 2020,\u00a0](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/4.png\"){kind=link}
![Foto<\/a>\u00a0(Foto: Mirja Busch)<\/p>\n2018\n<\/strong>Art<\/strong> Safiental –\u00a0Press Selection<\/strong><\/a> – (97 Photos by Alder\/Rickenmann\/Hedinger a.o.)\nArt Safiental –\u00a0Kunstwerke \/ Making of<\/strong>\u00a0<\/a>– 15\u00a0Folder\n– (1.\u00a0Saban<\/a>\u00a0\/ 2. Com&Com<\/a> \/ 3. Fricker<\/a> \/ 4. GerberBardill<\/a> \/ 5.\u00a0DIG Collective\u00a0<\/a>\/ 6. L\u00fcscher<\/a> \/ 7. Albuquerque<\/a> \/ 8. Gramsma<\/a> \/ 9. Rowell<\/a> \/ 10. BarschHornig<\/a> \/ 11. Alder<\/a> \/ 12. Busch<\/a> \/ 13. Signer<\/a>\/ 14. BildsteinGlatz<\/a> \/ 15.\u00a0 HalterMarchisella<\/a>)\nAlps Art Academy – Program – part 1<\/a><\/strong>\u00a0(137 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy – People \/ Academy\u00a0life – part 1<\/strong><\/a>\u00a0(101 photos by\u00a0 Taylor\/H\u00f6lling\/Hedinger a.o.)\nAlps Art Academy –\u00a0Projects\u00a0participants – part 1<\/strong>\u00a0<\/a>(76 photos by Taylor\/H\u00f6lling\/Hedinger a.o.)<\/p>\n2016\n<\/strong>Alps Art Academy<\/strong><\/a><\/strong>\u00a0<\/a>(people) – 142 photos\n<\/a>Artworks Alps Art Academy<\/a><\/strong><\/strong>\u00a0– 63 photos\nArtworks Art Safiental\u00a0<\/a><\/strong>\u00a0– 65 photos\nMaking Of Art Safiental<\/strong><\/a>\u00a0 – 139 photos\nPerformances<\/strong>\u00a0<\/a>(Opening) – 24 photos\nSafiental \/ Nature<\/strong><\/a>\u00a0– 47 photos\nPress Selection\u00a0<\/a><\/strong>– 22 photos<\/p>","protected":false},"excerpt":{"rendered":"Photos 2022 Press Selection: (the numbers refer to the info map, Credit: Mathias Kunfermann, et al.) 1. Ben Vautier: Terrain Vague, 1961\/2022: Rheinschlucht, Wanna,\u00a0Aufbau 2. Com&Com: Bergkanzel, 2016-2022: Seitenansicht, 3. !Mediengruppe Bitnik: http:\/\/areweclimateneutralyet.fail, 2022: Sun1, Sun2, Rain1, Rain2 4. Buchli\/Isenschmid: Solarkaskade, 2022: Inst 1, Inst 2, Inst 3, Inst 4 5. Marcus Maeder: ACLA, 2022: […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":4637,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-4671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/comments?post=4671"}],"version-history":[{"count":39,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions"}],"predecessor-version":[{"id":6446,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4671\/revisions\/6446"}],"up":[{"embeddable":true,"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/pages\/4637"}],"wp:attachment":[{"href":"http:\/\/archiv.artsafiental.ch\/en\/wp-json\/wp\/v2\/media?parent=4671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}](\"http:\/\/archiv.artsafiental.ch\/wp-content\/uploads\/2020\/02\/Schlitten_D.Simon_R.Odermatt_Foto-Mirja-Busch.jpg\"){kind=link}